My View: Thunderbolts* (2025) PG-13 In Thunderbolts*, a group of antiheroes are pulled together by Bucky Barnes (Sebastian Stan) after CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) forces the team into a dangerous mission. Only by working together and surviving can they achieve redemption. Ever since the magnificent Avengers: Endgame, Marvel has been a little lackluster in their films. Who knew that a ragtag group of castoffs from other films would come together to make a film that is fun, funny, and a joy to watch? While Sebastian Stan’s (hot off his Oscar nomination for his role as Donald in The Apprentice) character, Bucky, is supposed to be the leader of this gang of wannabe (sort of) heroes, it’s really Florence Pugh, as Yelena, the assassin, The Black Widow’s younger sister, who steals this movie from almost the start. Pugh is brilliant as a person grieving over her sister’s loss while on the verge of quitting the business or maybe even quitting life when she gets one last job. On that job, she meets Ghost (Hannah John-Kamen), John Walker (Wyatt Russell), and a strange man in a hospital gown named Bob (Lewis Pullman). I won’t go into what happens, but along the way, Bucky pulls the gang together, along with Yelena’s father, Alexei Shostakov, also known as the Red Guardian (David Harbour). Pugh does the heavy lifting for the film, giving us a hurting, lonely character who wants to change her life but doesn’t know how. Pugh also has superb comedic timing, working incredibly well with David Harbour, who, as the Red Guardian, is hilarious as a man who wants the group to come together and succeed so he can be a superhero again. The film has some outstanding action sequences in the tradition of Marvel superhero films, but unlike some of its films in the past, this is a movie about a group of people who are used to being on their own, and having to learn to work together and trust each other (something everyone has a hard time with). Thunderbolts* is a starting point for a world without the Avengers that we knew from the past. This new group is ready to take on the challenge when the world needs them, even if the world doesn’t agree if they need this ragtag group. I, for one, am ready to follow Yelena and Bucky on all sorts of messy and screwy adventures. Even Bob can come along. And yes, stay for the two post credit scenes. They are worth seeing. My Rating: I Would Pay to See it Again Thunderbolts* Website Now playing in theaters.
My View: The Surfer (2024) R The Surfer starts when a man (Nicolas Cage) and his son (Finn Little) return to the beach of his childhood to go surfing, only to discover that locals have taken over the beach. The father soon is drawn into a conflict with the locals that keeps escalating, pushing him to his breaking point, something no one wants to see. If you are a fan of Nicolas Cage, then you will love this film, as it lets Cage go all-out weird for almost the whole movie. If you aren’t a fan, then avoid it, as a little bit of Cage can go a long way for some moviegoers. The film is about a man coming home and wanting to relive his past. This goes so far as Cage’s character is willing to sell just about everything to buy the home he grew up in. Unfortunately, for Cage, a local group of young men, led by an older man named Scally (Julian McMahon), tells Cage’s character that he and his son can’t surf here. Cage decides to plant his flag (actually, just park his car in the parking lot) and hold his ground. As the film goes on, Cage’s character becomes less and less grounded in reality and becomes obsessed with the group of men who continually terrorize him. Cage gives us a mesmerizing performance, but it’s not enough to elevate the screenplay with too many themes battling for a space in a plot that goes too far into abstract and almost parody. I became bored by the continuing descent of Cage's character into madness. We spend too much time watching Cage’s character spend too much time watching his tormentors for a far before a final confrontation that gets even weirder. Cage is as magnetic as ever. I wish the script for The Surfer had given him a little more to work with and a little less of letting Cage go ‘Cagey.’ My Rating: Bargain Matinee The Surfer Website I saw this film at the 2025 Atlanta Film Festival. Now playing in theaters.
My View: Another Simple Favor (2025) R Another Simple Favor takes place five years after the events that put Emily (Blake Lively) in prison. Now out, Emily and Stephanie (Anna Kendrick), who is now a successful author and part-time private detective. The two travel to Capri, Italy, for Emily’s wedding to a wealthy Italian businessman. As usual, trouble finds the two, including murder and lots of intrigue. I loved the first film, A Simple Favor (2018), enjoying the sometimes dark storyline about a mommy blogger (Anna Kendrick) who solves a huge mystery with Blake Lively’s performance as the beautiful and wicked Emily, so good I thought it could get her an Oscar nomination (it didn’t). So we have a return with Stephanie coming out with a book and, somehow, Emily coming out of prison and getting married. I enjoyed the first half of this film, especially the back-and-forth that Emily and Stephanie have when Emily shows up at Stephanie’s book signing to invite her to be her maid of honor at Emily’s wedding. So we go off to Capri, and then people start getting murdered. If you haven't seen the first film, you won't be able to enjoy this film because there are a lot of callbacks to the first film. I enjoyed the play between Kendrick and Lively, but this film’s plot feels more like something out of an 80s TV show and doesn’t have the darkness and humor that the first film had. Still, I had fun watching Lively play the strange and playful Emily, who scares the crap out of Stephanie every chance she can get. I just wish the tone of the first film had carried over to this one. A little less killing and a lot more darkness would have worked better. My Rating: Bargain Matinee Another Simple Favor Website Now playing on Amazon Prime.
Indiefest: Bonjour Tristesse (2024) R Bonjour Tristesse is about Cécile (Lily McInerny) and her widowed father, Raymond (Claes Bang), and his new girlfriend, Elsa (Nailia Harzoune), are spending the summer in the south of France. However, the stay is disrupted by the arrival of Anne (Chloë Sevigny), Cécile’s mother’s best friend, who has shown up to bring up old passions from the past. This is a new adaptation of Françoise Sagan's 1954 coming-of-age novel, which unlike the 1958 film directed by Otto Preminger, is set in the present time. Bonjour Tristesse is a film that looks stunning and takes full advantage of the beautiful Mediterranean scenery. While I loved Chloë Sevigny as the icy, controlling Anne, I was left wanting more from Claes Bang, the widowed father who has a wandering eye, and Lily McInerny, who plays the father worshiping daughter who sets out to get revenge on Anne, who has ruined her summer with dad and his lover. The film's pace is so slow that it surprised me when characters suddenly changed their course in their feelings and actions. I hated the ending which doesn’t have the impact that the original film had. For a film with its characters constantly in the water or soaking up the sun, I found Bonjour Tristesse to be rather cold. My Rating; Bargain Matinee Bonjour Tristesse Website Now playing in theaters.
Forgotten Film: Metropolitan (1989) PG-13 Tom (Edward Clements) lives on the West Side and doesn’t have enough money to buy an overcoat, so he wears a raincoat in the dead of winter to cover his rented tux. He is persuaded to share a taxi with a group of young upper-class Manhattanites who have just attended a debutante ball. Soon, Tom becomes part of this group of well-off young people who spend their days sleeping and at night going to balls and then to each other’s apartments to talk about life, books, and how they see the world. Little does Tom know that Audrey (Carolyn Farina) has taken a liking to him. Tom is still obsessed with a prep school girl who he dated, unaware of her previous dating history. Tom fits in because he isn't afraid to speak his mind, especially about the gang's way of life. Metropolitan is one of my favorite ‘indie’ films, made in 1989 for about 50,000 dollars, and most of the cast are in their first film roles, including Carolyn Farina, who was discovered by the wife of the director of the film, Whit Stillman, at a cosmetics counter. The film is a week in the life of this group of young people, as they go from party to party, always gathering at an apartment to play bridge or just talk and drink. Edward Clements' portrayal of the fish out of water kid who manages to fit in with a very cliquey group makes the film sweet, funny, and a blast to watch. In 1991, Stillman was nominated for the Academy Award for Best Original Screenplay for the film. As the tagline for the film states, ‘Finally…A film about the downwardly mobile.” My Rating: Full Price Metropolitan Info I just rewatched this film at the 2025 Atlanta Film Festival. The film is available on most streaming services.
Weird Credits: From the credits of The Surfer: Rat Puppets
Coming Soon to a Screen Near You: Clown in a Cornfield (2025) R In Clown in a Cornfield, Quinn (Katie Douglas) and her father have moved to the small town of Kettle Springs, the once home of Baypen Corn Syrup Factory. It’s a town where the high school kids are counting down the days when they can leave, spending their time making prank videos and causing trouble. Their hi-jinks have awakened Frendo, the old clown mascot of the Syrup factory, and he is out to see that the kids are taught a lesson. A lesson that will end up in a grisly death or two. The film is from Eli Craig, the director of the award-winning cult favorite Tucker and Dale vs. Evil (2010). Clown in a Corfield Website In theaters on Friday, May 9, 2025.